Thursday, July 26, 2012

We're Just Getting Started!

It’s been a fulfilling summer here at the Georgia Museum of Art. We’ve had exhibitions come and go, interns who have started and departed and events and parties throughout. As July winds down and August looms around the corner, what can we expect from the GMOA this coming autumn? After all of the amazing art in only a summer, what more can the museum show?
While our permanent collection remains as impressive as ever in its cohesive survey of artists ranging from Americans of the Roaring ‘20s to those of the Italian Renaissance, and Chakaia Booker’s statues remain in our sculpture garden, GMOA has a few more tricks up its sleeves that are bound to wow. We’re going to hit the ground running on the very first day of August, as we’ll be installing George Beattie’s controversial agriculture murals, which will be on display through Jan. 7, 2013. What else do we have, you ask?  On August 18, we’re going to open not one, but three exhibitions to the public. First, we have “Francisco de Goya's 'Disasters of War',” which features all 80 prints from the master's series. Second, we have “The Epic and the Intimate,” a collection of French drawings dating all the way back to the late 1600s, on loan from the Snite Museum of Art at the University of Notre Dame. Third, and this should really knock your socks off, the GMOA has made a recent purchase, and quite an incredible one at that, in “The New York Collection for Stockholm Portfolio,” a collection of prints compiled in the 1970s for a joint project between the artists and engineers of New York and the Moderna Museet in Stockholm, Sweden. The cherry on top that makes this acquisition so special? The edition we purchased was an original publisher’s proof, meaning it was never meant to go into stores with the other 300 copies. All of this is just in August—this summer was just a taste of what we have in store. There’s plenty more coming, so stick around! 

1 comment:

Lynn Boland said...

My favorite things about the New York Collection portfolio are its connection to E.A.T., which I think is one of the coolest initiatives of the '60s, and the number of artists it includes who were not previously represented in our collection. Of the 30 participating artists, we only had works by 9 of them, and have now added Lee Bontecou, Robert Breer, John Chamberlain, Walter de Maria, Mark di Suvero, Öyvind Falström, Hans Haacke, Alex Hay, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Morris, Kenneth Noland, Claes Oldenburg, Nam June Paik, George Segal, Richard Serra, Keith Sonnier, Richard Stankiewicz, Cy Twombly, and Robert Whitman. Hooray!