“To Make a World: George Ault and 1940s America,” a traveling exhibition organized by the Smithsonian American Art Museum that just opened at the Nelson-Atkins Museum of Art in Kansas City, Mo., will be on view at the Georgia Museum of Art from Feb. 18 to April 16, 2012.
George Ault’s paintings exemplify personal worlds of clarity he used to offset the turbulent 1940s and a real world he felt was in crisis. Many of his works of art, which are some of the most original paintings made in America during those years, have yet to be seen. Ault and other artists, such as Edward Hopper and Andrew Wyeth, confronted the chaos and devastating uncertainty of the war-time turmoil of those years through their paintings, revealing an aesthetic of 1940s American art that has not been previously identified.
This is the first major exhibition of Ault’s work in more than 20 years and includes 47 paintings and drawings by Ault and his contemporaries. It centers on five paintings Ault made between 1943 and 1948 depicting the crossroads of Russell’s Corners in Woodstock, N.Y.
This exhibition will also be featured at the Smithsonian American Art Museum in Washington, D.C.
Learn more about this exhibition here.
George Ault (1891–1948)
Bright Light at Russell's Corners, 1946.
Oil on canvas. 19 5/8 x 25 inches.
Smithsonian American Art Museum
Gift of Mr. and Mrs. Sidney Lawrence