Thursday, January 04, 2018

Artful Conversation: Varied Discussion on Joan Mitchell’s “Close”

Kincaid leading a discussion on Mitchell's "Close"
The first Artful Conversation program of 2018 inspired participants to get diverse perspectives and impressions on Joan Mitchell’s 1972 painting, “Close.” Sage Kincaid led this slow-looking program, inviting guests first to examine the painting with a set of opposite words in mind. Each participant received a different pair: warm/cold, expand/shrink, bold/timid, loose/tight and more. After a longer inspection of the work with these words in mind, the group discussed how the painting was filled with contradictions, making it more detailed and introspective than many had believed at first sight.

Kincaid then informed the group that color was extremely important to Mitchell over the course of her life, as she was affected by the phenomenon of synesthesia. This condition caused her to have close associations with colors, letters and emotions. Green, for example, was linked to the letter A, and white, in Mitchell’s words, “is death . . . it is absolute horror.” Other influences on the artist’s life included her proximity to the Art Institute in Chicago growing up, Van Gogh’s sunflower paintings and her proclivity for skydiving as a pastime.

Kincaid led the group in two more exercises to help inspire other realizations about the work. First, they examined distance’s effect on perspective, walking from the back wall of the room to immediately in front of the painting. One participant noted, with great fondness, that he “liked it more the further he was away,” while another stated that she instead liked how noticeable the details were when standing up close to the work. The larger group then broke up into smaller circles of three to discuss any other impressions that were brought to mind as their positions in the room changed.

As conversations wound down, and the program came to a close, Kincaid ended with a quote from the book “Joan Mitchell: Retrospective: Her Life and Paintings”: “When looking at a great painting by Joan Mitchell, in fact, nothing really needs to be said at all.”

Artful Conversation is a monthly program led by the museum’s education department that focuses on a single work or small group of works over the course of an hour. The next session will be held on Wednesday, February 14, at 2 to 3 p.m. and will focus on Frederick Carl Frieseke’s painting “Girl Sewing (The Chinese Robe).” For future dates, please see the Georgia Museum of Art calendar.


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