
It's a good thing we were checking our Twitter feed or we might have forgotten about tonight's 6x6 event at Ciné from 7 to 8 p.m. The theme this time out is play, and Didi Dunphy has selected the performances etc.


In this paper, I investigate Petrus Christus’s "Portrait of a Female Donor" [above] in order to gain insight into a type of religious practice that differs from the more speculative form of devotion that scholars normally discuss. Modern scholarship on devotional images and devotional practices tends to privilege the more abstract and spiritually difficult aspects of preparing the soul for salvation. Rather than focusing on these subjects, I turn my attention to what I term "practical devotion." I define practical devotion as the activation and employment of images, objects, and practices dedicated to keeping body and soul safe and secure as the individual struggled along the demanding path toward salvation and redemption. Throughout the paper, I focus my discussion on one of practical devotion’s constituent elements, the concept of apotropaism, in order to understand this practice better.Decker is assistant professor of art history at the Ernest G. Welch School of Art and Design at Georgia State University in Atlanta.


“Limitless” is inspired by the 400th anniversary of the invention of the telescope by Galileo Galilei. As Galileo embodied a pure spirit of the liberal arts with his holistic approach to discovery through creativity and imagination, the artists in “Limitless” ‘reveal hidden worlds’ by taking wide-ranging approaches to art making while using an expansive scope to view the universe. Blasting off through conservative lines of boundary, their inventiveness takes them beyond tradition. In “Limitless,” modes of play, listening and looking—and a general draw on the senses—are primary.Don't wear yourself out, though. The Green Symposium starts tomorrow!