Showing posts with label American Scene. Show all posts
Showing posts with label American Scene. Show all posts

Wednesday, April 20, 2011

GMOA in the News


Gordon Szymanski from the Red & Black contributed a nice article that ran today on our exhibition "The American Scene on Paper: Prints and Drawings from the Schoen Collection." His take is that it's not just for art people, but for anyone who's interested in history, geography, travel and so on. The exhibition closes May 2, so you have about a week and a half left to come see it if you haven't yet. Today's Tour at Two focuses on it and is a great opportunity to view the 153 prints and drawings it encompasses with the help of a well-educated guide.

Monday, May 10, 2010

Awards



We are pleased as can be to announce that the Georgia Museum of Art's exhibition catalogue "The American Scene on Paper: Prints and Drawings from the Schoen Collection" has won the Eric Hoffer Award for Excellence in Independent Publishing in the Academic Press category for 2010. To see the full list of Hoffer Award winners, click here. To purchase a copy of the book, which retails for $55, click here to visit our online shop.

Tuesday, January 19, 2010

GMOA in the News

Checking our Google Alerts this morning after a holiday weekend, we noticed two mentions of the museum. Culture Grrl mentions our director, William U. Eiland, in a post on the deaccessioning press release by the Association of Art Museum Directors (AAMD), complete with a link to the release. Bill is cochair of AAMD's Deaccessioning Task Force. Unsurprisingly (and rightly), the release reiterates AAMD's policy on deaccessioning ("works cannot be deaccessioned to provide funds for operating or capital purposes and such funds may only be used for the refinement and expansion of the collection").

Also, if you happen to be in or near Greensburg, Penn., on March 25, our friend Jason Schoen is speaking at the Westmoreland Museum of American Art in connection with an exhibition of paintings from his collection, "Concerning the 1930s in Art: Paintings from the Schoen Collection." Schoen has been a wonderful friend to GMOA, placing many of the works in his collection (both paintings and works on paper) on long-term loan with the museum, and we plan to reopen with "The American Scene on Paper: Prints and Drawings from the Schoen Collection," a fine exhibition of just such.

Tuesday, November 17, 2009

GMOA in the News

The newspaper of Stephen F. Austin State University, in Nacogdoches, Texas, has a brief article about the talk that our director, Bill Eiland, will give on that university's campus this Thursday, November 19, at 4:45 p.m. Eiland has given a few other versions of this lecture, which focuses on the prints in the traveling exhibition "The American Scene on Paper: Prints and Drawings from the Schoen Collection," most recently at Learning in Retirement in Athens, Ga. If you're anywhere close to the area, we'd definitely encourage you to go. It's a wide-ranging, important and interesting talk.

Monday, July 20, 2009

The American Scene on Paper: Opening Reception in Columbus

Most of us couldn't be at the opening reception for The American Scene on Paper: Prints and Drawings from the Schoen Collection, which opened in Columbus, Ga., this past weekend, but our grants writer, Betty Alice Fowler, was able to go and took some pictures for us, including a couple of Jason Schoen, whose wonderful collection has made this exhibition possible.

Friday, July 17, 2009

GMOA Exhibitions on the Move

GMOA has three traveling exhibitions opening this weekend and Monday, so please, if you're in the following areas of the state or country, stop by and check them out.



The Pensacola Museum of Art, in Fla., is opening Passport to Paris: 19th-Century French Prints today and will run it through Sept. 12. The 46 prints in this exhibition, drawn from the collection of the Georgia Museum of Art, offer visitors a voyage through the printmaking phenomenon that took place in 19th-century France. Europe in the 19th century experienced a new appreciation for printmaking, one in which its artistic merit became widely regarded as equal to painting and other art forms, and France became the center of this printmaking revival. During this period, there was a great deal of activity by artists interested in etching, lithography, and woodcut. Spurred by the democratic impulses that continued after the French Revolution, artists began to depict a much greater variety of subjects, finding material to ignite their imaginations in the diverse nature of city streets, countryside, and foreign lands. Printmaking in 19th-century France is often characterized by the portrayal of modern life. This exhibition presents examples of that theme, as well as many of the techniques and styles representative of that era. Included in the 46 prints on display are works by such venerated artists as Eugene Delacroix, Mary Cassatt, Honore Daumier, Paul Cezanne, and Henri Toulouse-Lautrec. In addition, it may well be your last chance to see this popular touring exhibition before it is retired, as GMOA will be revamping all its regularly available traveling exhibitions.



As we've mentioned numerous times, the Columbus Museum, in Columbus, Ga., is opening The American Scene on Paper: Prints and Drawings from the Schoen Collection to the public on Sunday, July 19, and keeping it up through Sept. 27. To read a press release about the exhibition, click here or go here to find images for use by the press.



Finally, The South in Black and White: The Works of James E. Routh Jr., 1939-1946 will open Monday, July 20, at the Robert C. Williams Paper Museum at Georgia Tech in Atlanta and run through Oct. 2, with a reception for the artist on Sept. 17. James Routh was born in New Orleans in 1918 but grew up in Atlanta. Routh graduated from Oglethorpe College, now Oglethorpe University, and then studied at the Art Students League in New York. Routh then applied for a Rosenwald fellowship to fund his proposed travel through the South. He planned to gather information for a series of prints, stating that he wanted to "paint a number of pictures concerned simply with scenes of everyday life in the South." This exhibition contains the images that resulted from Routh's travel in 1940 and 1941 as a result of the fellowship. Routh sketched as he traveled through Georgia, Alabama, Mississippi, Tennessee, Arkansas and Louisiana during the hard years of the Depression, then later created prints and paintings from those drawings. In 1940, the rural Georgia that Routh observed was dominated by the cotton industry. Even as early as the mid-19th century, Georgia's soil revealed signs of the damage cotton cultivation and its associated agricultural practices had created, and Routh's images document this damage as well as the impoverished state of the South during the Depression. Routh's prints also capture agricultural scenes that have been lost in the urbanization of Atlanta and its suburbs. Many of the landscapes in his rural images are now buried in the heart of the city. After fighting in World War II with the U.S. Army and following a career in advertising, Routh retired in 1983 to Waynesville, N.C., where he lives today. An exhibition catalogue just went to the printer and should be available next month for $20.

Please let us know if you visit any of these exhibitions. We'd love to hear about your experiences.

Wednesday, July 15, 2009

GMOA in the News



Art Daily has an announcement up today of the opening of The American Scene on Paper: Prints and Drawings from the Schoen Collection at the Columbus Museum. The exhibition was organized by the Georgia Museum of Art and was previously on view at the Gibbes, in Charleston, S.C. While the Gibbes showed around 50 works from the exhibition, the Columbus Museum is showing around 100, and when the exhibition opens at the Georgia Museum of Art in 2011, once renovations and expansion are complete, it will include the full 153 works that are illustrated and discussed in the catalogue, an IPPY silver medal winner for fine art. You can purchase the catalogue at the Columbus Museum's gift shop or from our web shop, and we strongly encourage you to go see the exhibition while it's up (until Sept. 27).

Tuesday, March 31, 2009

American Scene elsewhere


Art Daily covered yesterday the opening on April 5 of Regional Dialect: American Scene Paintings from the John and Susan Horseman Collection, an exhibition at the Dixon Gallery and Gardens, in Memphis, Tenn. The exhibition includes 57 works by American Scene painters, some of whom you may know if you visit the Georgia Museum of Art's exhibitions regularly. At least two of them, Joe Jones and Carl Frederick Gaertner, appear in the exhibition catalogue above, Coming Home: American Paintings, 1930-1950, from the Schoen Collection, which remains available for purchase from the museum shop ($35 softcover; $45 hardcover). The catalogue features 128 paintings from the numerous periods that make up the American Scene from 1930 to 1950, when the influences of the Depression and World War II contributed to styles of art variously known as Regionalism, Social Realism, Magic Realism, Surrealism, and Precisionism.